"Alchemy of actor for Art of acting" - having been committing since my first drama school in 1976 when I had felt that there was something missing from Stanislavski System for Character Creation, which had been intrigued me. I enrolled three Drama Schools to learn about the wider range of Acting including Lee Strasberg, Sanford Meisner, Jacques Lecoqs Masks, Michael Chekhov, and in 1981 joining Endo Takuo (the creator of Yokohama boat theatre) his mask play which I found interested in art form of Japanese Noh theatre - Kadensho (Secret Book of Noh Art instructions on the Posture of the Flower being Developed by Kanami and his son Zeami) from which Riken-no-ken (Objectively observe yourself - Actors endeavor to objectively observe ourselves from the outside of us. Hisureba hana  (the flower of creating and sharing perfect beauty through performance - one possess unique secret "flower" capable of opening possibilities for one-selfe ):   Then I wanted to know Art of acting scientifically, I earned BA Educational Psychology and trained as a Doppelganger of the clients for Psychodrama therapy.   It was around 1983 I was in the 3rd Drama School, I experienced that a moment of stepping in the performance area I was seeing the scenery of the drama at the empty space, which is called “SEEING which mean that the characters are facing and looking at  the materials as the real subjects existing in the world of the dramas. I also experienced to face the characters- one whom I looked through the miller at the dressing room when I finished make-up and wore the costume, who stepped inside my body, the others who are not acted out by actors but existing as one of the characters of the drama.  More over, I started to feel and exhibit the strong emotions of the characters, while speaking the lines or being in the scenes of the drama which is called “ TRUE EMOTIONS   While acting Actors are actively engaging in the whole beings surrounded by and enjoying the every moment of the performances as the characters of the Drama, so that Actors magical creativity to be existed with collaboration with the energies generated by the others as the audiences Including producers, directors, film-crews, staffs and other actors, who to have a wave of  bliss washing over them them through Art of acting. In my hypotheses about Actors magical creativity based on my experiments &  observations. Since I have been experiencing the pre-cognition from my young age, and my sister and my one of sons also has ESP  which must have been passed down us from my ancestors through Gene.  The particles inside the nucleus which can regulate the Gene expression through the cells division, and those involving the rearrangement of atoms has been done via chemical and electrical reaction, which could be determine the involvement of the phenomena of quantum entanglement, which could lead the collaboration with the audiences on the magical creativity. Im conducting the survey to examine Actors magical creativity in the member of British Actors Equity, while joining the academic research groups for learning the science.of consciousness.