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Yuko Kominami

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Yuko Kominami

Position :
振り付け家/舞踏家

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Born in 1973, Japan. She studied butoh and dance in Tokyo. After finishing her BA in Japanese history at Waseda University, she did a Professional Diploma in Community Dance Studies and an Independent Study Programme at Laban Centre London from 1998 to 2000. She obtained her MA in Dance Cultures, Histories and Practices from the University of Surrey in 2006. She has been working as an independent dance and performance artist. She has collaborated with other dancers, choreographers, artists, musicians and theatre directors of various landscapes. She has performed her work in prominent festivals such as Festival June Events - Atelier de Paris Carolyn Carlson, Les Repérages Danse à Lille, Festivalul International de Teatru de la Sibiu, Bodyradical in Budapest, Odisha Biennale in India, Venice International Film Festival and so on. She has also worked and performed in countries around the world – including Luxembourg, France, Germany, Belgium, Spain, Portugal, Italy, Hungary, Romania, Latvia, Finland, Turkey, U.K. , Japan, China, India and Peru. Her work includes “Ones Voices” (2004) collaboration with Steve Kaspar, “Linnunrata” (2007), “reMEMBRANEce” (2009), “Project O” (2010) collaboration with Rajivan Ayyappan and Emanuela Iacopini, “Mayu” (2011) collaboration with Tomás Tello, “Recollections” (2012) collaboration with Kunihiko Matsuo, “Winter Worm-Summer Grass” (2013), “Three Short Stories” (2015) collaboration with Sayoko Onishi, “Dreaming Scarlet Medusa” (2017), “Iwa-kagami”(2018), “Sublimation”(2019) VR project by Karolina Markiewicz and Pascal Piron. Her work consists of experiments with movements in-between (movements of becoming) where intensities of individuals intersect. And through these experiments she aims towards affirmations of multiple and fragmented movements of ‘a life’.

Works

Iwa-Kagami (2018) /photo Boshua

Dreaming Scarlet Medusa (2017)/photo Boshua

Winter Worm - Summer Grass (2013) /photo Dominique Gaul

Curriculum vitae

Last update : 12 Sep. 2020